A green neon glow bathed Moles club on Wednesday night with an excitable atmosphere that something different was coming for the night’s music fans, with three bands showing why metal is alive and kicking in the city!
Back in the winter months earlier this year NO:IR tore up the stage at Metal for the Masses which blew away us at Off the Hook Music and this was made even more impressive when you learn the band was only formed in November 2018. We came back for a second taste of their sound as we feel there is plenty of potential in this roaring set up of Sam Davies, George Farley, Alex Roberts, Harrison Gazzard, and Jake Gazzard, and intend to do our best to document it.
With the dancefloor’s lights dimmed to a near pitch darkness the band pierced the through with their trademark neon green painted on the band members themselves to signal the event was here, NO:IR began with an instrumental intro of spikey guitar notes and heavy drum beats, a taster of what was to come.
Second track into NO:IR’s set and they unleashed ‘Modern Day Slaves’ which engulfed the crowd with heavy bass tones and demanding head dangling drums which battled for the supremacy over the lyrics, which are completely absorbing when the vocal performance is switching succinctly between screaming and rap singing. Then two songs later we had a complete change in direction with a cover of Gorillaz’s ‘Eastwood’, NO:IR dragged this record from its roots and poured metal all over it, creating a unique banger in it’s own right.
There was also time for a first hearing of a new song called ‘Placebo’ where the guitars take centre stage at the beginning setting a calmer environment for a softer key of vocals, but as you got comfortable with the new path NO:IR was walking down they tore out the place and stomped back to the soaring, screaming, and rap vocals which blended well with the heavier riffs and beats that came before. The crowd responded well with everyone in the venue applauding this new and interesting song.
‘Hive’ is a great record which the core fan base of the band has come to love, it is a track which highlights the bands lyrical talent and want to drive heavy alternative metal into the attention of any listeners they can get their hands on. NO:IR ended the show tonight with ‘Erase me’ which is the hardest track to sing but it feels like a fitting way to end the night, at the end of the track the excitement grew as there was one last mosh pit on offer which delighted the band and crowd in equal measure.
Tonight’s support acts where Lest we forget and Myst who both put on a good display of metal in two completely different ways which warmed up the crowd nicely for the appearance of NO:IR.
Written by Kess Anthony
October Drift have been building momentum for their ever growing fan base and now have taken another step to the next level on their journey; Friday night was the biggest headline gig for the band, as they played to a packed out crowd at Thekla and kicked off the venue’s 35th birthday celebrations with a bang.
Thekla for the gig goers who don’t know is one of the coolest venues around, it’s a f**cking boat! Fitted out with a stage and dance floor to entertain the best up and coming artists around and tonight this boat it rocked, and it rolled, with the pounding feet of the crowd who jumping up and down and moshing all-night.
October Drift introduced themselves with the track ‘Losing my touch’ this gave the listeners a taste of what was to come and why the band are quickly becoming known for their high energy, dirty guitar, and heavy drum beats, with an absorbing on stage performances from Kiran, Chris, Alex and Dan. They smashed out their established tracks of ‘Cherry Red’, ‘Robots’, and ‘Come and Find Me’, this gave the lads the chance to show off their fast paced thumping riffs over laid with dark moody lyrics sang in a hypnotic tones.
With a setlist of powerful, fast paced, rock songs by midway through the gig energy levels were rising to fever pitch, both on and off the stage, with the band members bouncing around like wild animals. Kiran decided to jump on the shoulders of one of the band’s biggest followers who paraded the lead singer around the dancefloor, which led to Kiran climbing onto the balcony section of Thekla and singing to the fans below.
A birthday treat was served up to the crowd with a new song called ‘Oh the Silence’ full of dark lyrics which the crowd started to chant back to the band before the track finished echoed by big storming rock tunes. Then, a haunting quiet descended as Kiran leaned over the crowd and sang the start of ‘The Past’, then a boom out of nowhere as Dan, Chris, and Alex, come thundering in with their blaring instruments to ramp up the track and break the silence with the gig goers allowing the lyrics to wash over them.
The night had one more gift to give, after shouts of “one more song” from the crowd October Drift accepted the invitation and turned out to provide a smashing extra track which gave the crowd a chance to create a whirlpool mosh pit to end the night’s entertainment. It’s hard to not feel like you are witnessing something special with October Drift as we continue to watch them establishing themselves and progressing into the next stages of their musical path.
Support acts were Some Bodies and Belishas. Some Bodies produced a wonderful display of music and performance that is an unadulterated pop rock cockiness. They are interesting and intriguing with their own unique style and sound. Belishas started off the gig tonight to a good sized early crowd and their track ‘Chlorine Maureen’ best showed off their punk rock sound.
Written by Kess Anthony
The sight of the massive queue to get into the O2 Academy, Bristol on Monday night was the first clue of what was to come. With 10 studio albums in the bag and over 20 years of making hits. Papa Roach deserve the title of Legends, but tonight they also proved that their still relevant in the music world by providing a spellbinding performance.
Papa Roach kicked off the night in a roar of glory with tracks from their famous ‘Infest’ album which sent chills down the spines of the crowd, who have held a place for the band in their hearts and ears since their teenage years. There seems to be a shared devotion between Jacoby Shaddix and the fans of Papa Roach and this fuels Jacoby and the rest of the band members, the energy is grabbed and dragged through the performance, from first song to last with an amazing on stage presence.
Jerry Horton, Tobin Esperance, and Tony Palermo have an effortless ability to change the style of the band’s sound between the heavier riffs and beats from earlier tracks to the more softer guitar and drums tones of the latest offerings from Papa Roach’s newest album called ‘Who do you trust?’, the new sound has an added layer of texture to the tracks with the addition of the keyboard taking a more prominent part in the records, which has been quietly growing on us since the album release.
Jacoby provided a brilliant vocal performance tonight switching between singing, rapping, and rock screaming which lit up the songs and added to his engaging personae on stage. Jacoby is a live wire running around and pumping his chest whilst challenging the band’s fans to chant the words back to him which they gleefully accept.
Papa Roach have been on a long journey as a band, they have evolved and changed their sound and now come full circle, this is a brave thing for a band to do; to explore new corners and bring new direction to their tracks. From what we saw it worked, with different people singing along to different tracks from their favourite albums. The band seemed to be in awe when the crowd gave the same energised reaction to their lesser tracks as well as their most commonly known pieces. Papa Roach have an aggressive instrumental sound live with intelligent lyrical meaning which is tailor made for live audiences to go wild to.
All in all, Papa Roach delivered an amazing gig on Monday night, they throw out a stadium sized sound and experience into a smaller venue and deliver an inspiring demonstration of what every band should try and emulate live, Jacoby uses the time on stage as a form of therapy explaining the meanings behind the bands songs and spreading a positive message. Just before the end of the gig Papa Roach paid a fitting and well deserved tribute to a under forgettable front man Keith Flint of the band Prodigy, covering the track ‘Fire starter’ the crowd went crazy and took on a new energy as the band thumped out the iconic sound of the track. It is a wonder to behold when Papa Roach send out their heavy beats and spiky riffs backed up by lyrics that ring true to so many people's ears, the crowd had mad energy tonight bouncing, moshing and singing back at the band with pumping fists in air.
Nothing More was the support act for Papa Roach tonight and they more than warmed up the crowd the poked and started a fire in the heart of the dance floor with their heavy rock tones and smooth vocal exhibition. Nothing More are an intense band that absorbs you into their songs and spits to back out again with the energy of their tracks, there was added excitement when at the end of the set there was a hydraulic machine which set the lead singer up over the crowd where he roared out the last tracks before they departed the stage.
Written By Kess Anthony and Jimmy Rock
Indoor Pets descended on Moles Club in Bath this Tuesday (9th March) night meaning the venue was packed with Jamie’s hands gang and other fans, this was the opening gig of their tour and they started with a bang. A month ago Indoor Pets chucked out their debut album to the world and now they’re following up with a 9 show tour around the UK, featuring all the top tracks.
Rob Simpsons fasted paced drum beats and Ollie and James Nunn’s guitar riffs blaring in their opening songs ‘Cutie Pie’ and ‘Hi’ set an equally High tempo to the gig. The band have a dirty pop music style which is perfect for a live performance. The way the band have constructed their records means they are mosh pit ready, with sections of these tracks dedicated to strong lyrics and musical instruments.
After the opening tracks Indoor Pets played ‘My Amnesiac’ live for the first time which meant as soon as the guitar tune played the crowd gave the band a roar of approval. Jamie Glass is the frontman and he has great charisma and a unique undeniable style which makes him intriguing to observe on stage, then when he starts to sing he has tones in his voice which lifts the tracks up a level and makes the words and sound easily identifiable.
Indoor Pets created a party atmosphere within the venue; guitar riffs and notes sent waves of sound into the crowd who reacted with jumping in the air and waving their hands towards the band and beer flying everywhere. Jamie also ramped up the personal engagement within the crowd as he leaned into the gig goers and eye balled them whilst singing the tracks ‘Teriyaki and Thick’, the crowd loved it and an energy went up another notch.
The performance was so red hot that Jamie had to de-steam his glasses before playing ‘Being Strange’ but that didn’t take long as Rob, Ollie and James then thumped out beats that caused even more reaction from the listeners. Indoor Pets had a very polished display tonight considering that this is the first show of the tour. By the time they finished the gig with ‘Barbiturates’ and ‘Pro Procrastinator’ the venue was buzzing with what was unfolding, all the band members gave a great display and these final two tracks had Jamie’s hands gang bouncing around and singing the lyrics back at the band.
Main support tonight was from Animal House who I will openly admit I found a bit of an oddity at the start of the set but the fun the band brings and the vocal range of their lead singer made me start to weirdly enjoy the spectacle in front of me. They have a fun indie pop style going on and add in their dancing on stage and you start to embrace the bazaar part of your human existence and accept that you like this madness in front of you.
Gum Soul opened up the gig tonight, the band is from Bath which meant they had a sizable crowd to play in front of, they are very entertaining with a guitar driven sound with a hint of grunge mixed into their alternative indie style. Their track ‘The Knees' which they left for last on their set was a stand out and very good track to listen to live.
Written by Kess Anthony
The Slow Readers Club entered new territory this evening, almost half way through a 3 month tour and not showing any fatigue, last Thursdays gig was the first time the band have ever played in Cornwall. The fairly packed venue shows the Manchester based band are developing a strong fan base, in in the furthest reaches of the country.
The Old Bakery is a strange and unique venue in the heart of Truro as you enter your engulfed by a black tunnel with brightly painted walls that lead you through the maze like building to the pit of the dancefloor.
It’s not until you watch The Slow Readers Club live that you understand how integral David Whitworth drumming is to the sound of the band, David sets a driving beat which is the foundation of the rhythm the band plays to, you then add the guitars of James Ryan and Kurtis Starkie and you start to get the well-crafted reverberations of the band’s signature sound.
Opening with ‘Fool for your philosophy’ and ‘Lunatic’ the crowd seemed transfixed on Aaron Starkie who was prowling around the front of the stage, it was almost a reserved appreciation from the music goers as they watched Aaron perform a quaintly vocal display. This didn’t last long as the crowd warmed up to the task very quickly and found their bobbing movements and singing voices with songs like ‘Sirens’ and ‘Supernatural’. Aaron is an intriguing frontman for the band, he is captivating and at times he appears lost in his own world, tortured by the lyrics he is trying to convey, but at the same time you can see an enjoyment which he is getting from seeing the crowd singing back his lyrics. James is also an interesting character on stage marching along to his bass beats with a focused mask over his face. The lighting display was a great added element, which lit up the band in time with Kurtis and his blaring riffs which really got the fans blood pumping.
The set list was a nice blend of older well known songs and fresh new tracks off their latest album, ‘Build a tower’. Their trademark big and anthemic sound maintained the a good momentum for whole gig. By the time ‘Plant the seed’ and ‘The Wait’ roared out of their guitars chants of “Readers” boomed from the crowd as they shadowed Aaron’s hand gestures. The sound poured out of the
band when the last two songs ‘Ghost’ and ‘On the TV’ were played, the band are a well bonded unit and blend well together musically, at this point of the gig and the crowd was reaching their boiling point after bubbling away nicely throughout and chorus of clapping to the bands beat provided a loud backing bass. Chants of 1 more song rang out and to the surprise and delight to the crowd The Slow Readers Club appeared and announced “as this is our first time here we’re going to play the first encore of the tour” and the crowd was treated to 2 extra songs ‘One More Minute’ and ‘Grace of god’.
A mention also to tonight’s support act, Alice Jemima who provided smooth tunes to start the
Written By Kess Anthony
Like many others of a certain age Beth Orton has been part of the soundtrack to my life for the past 20 years. So when the ‘Queen of comedown’, who's collaborated with the likes of William Orbit and the Chemical Brothers, comes down to the South west I had to go and see her.
She is best known for her come down tracks of the 1990s, and in a concerted effort to please the crowd at the start of the gig she announced that the performance would consist predominantly of these works. There was not a synthesiser or very much else on stage, just Beth with husband, Sam Amidon and two acoustic guitars.
This was a stripped back, intimate performance and to listen to acoustic guitars
playing in such perfect harmony was a delight and a real crowd-pleaser. Simplicity not polished was the watchword, and it was delivered in this rustic set.
Kicking off the set with ‘Someone’s daughter’ and ‘Sweetest Decline’ before moving onto other favourites including ‘Pass in time’, ‘Sugar Boy’ and of course possibly her best known number ‘Central Reservation’. One of my particular highlights was ‘Call me the breeze’ from her 2012 album ‘Sugaring season’ which was delivered with particular panache.
There was a real honesty about the performance which self-effacing at times and conveyed a rare and endearing vulnerability, something Beth Orton wears very well indeed.
Written and pictures by
Yonaka produced the complete gig with an display of musical brilliance at The Fleece, Bristol on Sunday night. Vocals and instruments, pitch perfect with an on stage presence you would not forget.
Yonaka’s trademark bright red logo and lights contrasted well with the harsh black pillars and walls of the venue. Which was packed with willing Sunday night fans of all ages and gender, showing just how wide reaching their music is.
Their set was a mixture of known and loved tracks for the crowd to sing along to and new material they want to share, a balance which is always hard to achieve. Yonaka drove a sledgehammer through any worries that a band may have when performing new material, as they kept up the momentum all night.
They opened the show with tracks; ‘Bad Company’, ‘Awake’, and ‘Creatures’ with the thundering drum pedal from Rob Mason that sent ripples to your spine and the frantic guitar playing of George Edwards and Alex Crosby which left the place in awe of the band.
Theresa Jarvis is a fantastic lead singer, she rampages around the stage switching between her rapping style and vocal singing with ease. At the same time engaging with the crowd to a level which made everyone watching feel like she was personality singing to them.
Theresa readied the crowd before the band played their new material ‘Lose your Heads’ and ‘Punch Bag’. After hearing theses new tracks I will be waiting with even more anticipation for their new album, which is due for release on the 31 st of May.
George seems to have a mad amount of energy on lead guitar which seemed to encourage Theresa to involve the crowd even more during songs like ‘Rockstar’ and ‘Fucking with the boss’, at one point the crowd was instructed to get down then in unison the fans popped up into a mosh while Yonaka played on.
Ending the gig with the same attitude which was present throughout the night, Yonaka played ‘Fired Up’ with Theresa pointing the microphone towards the crowd who belted back the lyrics of the track, then as the lights bounced back to stage every band member delighted the crowd with blaring guitars, tank like drum beats and wonderful singing!
Chief support tonight was Valeras and like Yonaka they have a lead singer in Rose Yagmur who has star quality, Valeras are a polished and well glued group with soft guitar riffs with a steady drum beat which produced bobbing of heads in time with their music. Rose has a great voice which has character and provides an added layer to the bands songs and there has to be a special mention for the cow bell which found its way into one of the tracks, any band that’s creative to be able to add that instrument into their record is well worth their salt.
Cassyette opened tonight and had a good size crowd which they entertained with their Glam rock sound and image, there was some amazing guitar solos thrown in which caught the eyes and ears of the gig goers. At one point at the end of the set there was a little miss beat which meant the band had to start the track again but they were professional and it did no harm to the overall
‘Spit Out’ is the song which got the most reaction from the crowd and it’s on the new EP Cassyette are releasing soon and it’s full of energy and excitement which this band brings to the party.
Written by Kess Anthony
If you ever needed a rude awakening that the weekend starts on Friday night, it didn’t take long for Sœur to inform you as they tore up Friday night with roaring guitars and constant drum beats.
‘Moles’ is a legendary venue in the heart of Bath city centre, as you walk through the doors you're met by the faces of artists that have inspired the bands of today with their posters plastered to the walls. The place has a history of influential music that seeps into the foundations.
Music when performed well can enrich the lives of the listener and engulf their lives with joy, and Sœur understand this concept and delivered on each and every track they provided.
Sœur has a haunting grunge sound drenched in heavy chords and backed up with well developed lyrics.
They produce a sound louder than the three piece band of Anya Pulver, Tina Maynard and James Collins should be able to, but together they come out with roaring and blaring guitars with a heavy drum beat added with an occasional softer cymbals which adds layers to their records.
Sœur exude energy and challenges the fans to match the momentum on stage, the regular faces in the crowd stood up to the challenge and the new faces in the crowd followed suit. All three members, gives a physical performance and seem to have fun and enjoy their time on stage.
Anya and Tina dual front the band and seem to blend effectively together with Anya’s heavier riffs which mould well with Tina’s more spiky tones from her guitar, the same can be said about the tones of their voices which allows all three band member to grow on stage to form a dynamic force.
Sœur have beautifully crafted and written songs which bravely explore the complexity of our daily lives and the struggles which become entwined with our state of mind. This allows the band to demonstrate the emotion in their lyrics in tracks such as ‘Left living’, ‘Whole me’, and ‘No show’ which is the latest record released by the band.
‘Fight’ was an excellent track to end a gig as it sent electric into the crowd that engulfed the fans into a frenzy, then the mosh pit ascended at the every crescendo of the record, the crowd were left wanting more but knew that Sœur had given everything and left to an applause of appreciation.
Vrillon opened tonight with a good sized early crowd they have intense heavy tones and an angry booming vocal display which is great to hear.
ILL WILL provided non-stop guitar riffs and powerfully sung tracks without taking a break between songs but when you’re enjoying the sound of a chief support act why would you want to take a breather because you just want more music and this is what ILL WILL did really well.
Written by Kess Anthony
What an amazing gig! That is all that needs to be said! But I will expand, and tell you about ‘Area 11’ and the supporting bands who gave their all and showed off what they are all about, when each of them tore up the Fleece on Monday night.
Outside the venue, before the doors were opened we were met by an army of ‘Area 11’ fans stretching back around to two sides of the building, and ‘Area 11’ are by far the best merchandise selling machine I have seen in a long time with every member of that army sporting their band’s colours.
The Fleece, the venue for the night’s action is a building with a dominating and historical presence in the heart of Bristol. Inside you find black walls and strangely placed pillars, which are convenient for the listeners to hang onto when the roaring vibrations of the music rattles through the space.
‘Area 11’ owned the stage and had the crowd jumping, singing, and shouting for more. The band was full of energy which radiated out to their fans who responded in equal measure. Lead vocalist, Tom ‘Sparkles’ Clarke mentioned during the set that he had been suffering from a cold but there was no need to worry as he provided a great vocal display and there was no suffering for anyone else to be had. They have an aggressive and atmospheric sound, driven by a heavy drum beat from Leo Taylor and that provided the base to the amazing performance, then added to by Alex ‘Parv’ Parvis who provided his layer of high clarity guitar riffs which sent the crowd into a frenzy. While Jonathon ‘Kogie’ Kogan stead heavy tones tied everything together.
This was a homecoming gig for ‘Area 11’ and it is clear they have built an impressive fan base which welcomed with a chorus of singing along to the bands lyrics whenever Tom pointed the microphone towards them. Their sound allows them to be highly charged with loud heavy beats and a mixture of vocal volumes and tones to press home the fine points of their lyrics and the crowd loved it, when the door opened after the last song the pure wonder on the faces leaving the Fleece was great to see.
October Drift were the support act on just before ‘Area 11’ and these wild animals rampaged on and off the stage and really got the crowd going, you could physically feel the crowd buzzing from the performance Kiran, Chris, Alex and Dan gave tonight. All of the band members have an energy that is a natural talent any band would love to have. October Drift’s sound is raw and exciting, with nonstop guitars and drums hammering beats out with beautifully crafted lyrics.
They bring everything which is good about bands like ‘The Editors’ and ‘Joy Division’ and moulded them into their songs to create their own unique sound. The fans didn’t know where to look as Kiran was in the crowd, on the dance floor, and on the bar where beers had to be stopped serving to allow this defiant musical performance to take place, then the listeners would turn to see Chris, Alex and Dan playing full speed on their instruments.
‘Misery Kids’ provided a fun element to tonight proceedings with their crafted alternative pop/rock they had the crowd in the palm of their hands for all of their songs. They eased between tracks when they chatted with the crowd to produce a solid overall performance. The green and pink lights bounced off the bands summer shirts and informed the listeners that there was a party about to start. Their alternative rock and disco vibes and pitch perfect vocals from Nic and Alex blended well together.
First on the stage was ‘Sinclair’ and they had a very good size crowd and rewarded the early birds with a great indie display, the band played their first ever track which was intriguing listen and a brand new one. I can’t wait to hear this song released as it’s a banger. The band is driven by a bass beat that keeps giving, and a softer toned guitar and drums, Olivia has a good vocal range which she showed off during Sinclair’s own original tracks and a couple of polished cover copies which meant the band provided great entertainment.
This was a very good gig and we encourage you to book a ticket to see any of these bands live.
Written by Kess Anthony
Hy-Brasil played host to an exciting young singer songwriter on Friday evening, the small stage covered with fairy lights was the perfect venue for Emily Capell’s first gig in Bristol. She provided the audience with great music in an intimate and personal setting. Hy-Brasil is in the centre of Bristol’s busy city centre and is becoming the hub of a very active music scene.
The first thing you notice of Emily is not the beehive hairstyle or her Mod style, it’s her massive personality which is fun, active, and interesting. Emily seems at ease on stage and engages fantastically with her crowd; between songs she was providing antidotes about her song lyrics and sharing her amazement about Bristol accruing four Nandos restaurants in one city.
“101 Walteron Road” the track that kicked off Emily’s gig is a new song which will be included in her upcoming album, due for release in August this year. We quickly understood why the track is on the album as the song is fast paced and easy listening with a strong vocal performance.
Emily is an intriguing wordsmith, with her style of observational lyrics, she manages to bind messages from modern culture and political worries with a burst of a celebrity gossip to drive the messages home. Tonight her tracks explored people wearing band t-shirt who have never heard of the band before, to not being able to pay rent prices in London, Tupac wannabes, and a plane which crashed with an amazing group singers onboard.
The sound that Emily and her band make is a mixture of so many genres but they have handled these well to develop a polished sound, we felt the best way to describe Emily was a mix of Ska and Indie with catchy quirky lyrics.
Emily also has a impressive vocal range which we witnessed today in songs like ‘Calypso’ and ‘Until Monday’, she was able to maintain her sound and the balanced tones of her voice throughout all of her 12 track set.
During the song “Joey” Emily playfully pointed out her special guest Joey Barton, albeit a cardboard cutout of the footballer, who when he originally heard the track tweeted saying the song is about him and has since become a running joke that comes with a track that is playful and well worth a listen.
Emily sent the listeners home happy with her last song ‘Bonanza’ which is driven by a guitar beat and is a fitting way to finish the gig, as it’s a bubbly, fast paced and layered with a strong and reaching vocal display.
A mention must also go to the nights supporting act, Hush Mozey, this is a young band developing their craft and they are developing well. With a tight musical performance driven by a steady bass beat and backed up by the rustic tones of the lead singer. They have added the harmonica and trumpet within their sound which provides an extra layer to their music. They also seem to enjoy being on stage and showing people what they can do.
Written by Kess Anthony and Matt Nicholson
On a cold winter’s Monday night music lovers who braved the weather were rewarded when ‘Island’ heated up the atmosphere at the ‘Rough Trade’ venue and almost sent their fans to a musical meltdown.
The small intimate venue with its pitch black walls and beer keg stands for speakers to sit provided a up close and personal gig which fans of ‘Island’ won’t forget for a long time. Tonight was a display of ‘Islands’ developing an adoring fan base as the place was sold out before the doors were even opened.
‘Island’ have a hypnotic ability with their songs, they drift off to a dream like state and carry you along for the journey. It is a none stop high tempo ride with the band producing the same energy and power for each and every song.
‘Island’ are a band who enjoy their craft and bring a lot of fun to their gigs, the ease with how Jack Raeder and James Wolfe play their guitar and bass is fantastic to watch and they’re backed up by the absorbing drumming style of Toby Richards, which is then balanced by Rollo Doherty who along with his guitar brings a rustic tone from his voice which engages the listener in every track.
Every single member of this band displays their individual personality on the stage and they combine them all to make a sound that can equally light up a party or settle you into a calm musical mood. During certain songs the band were delighted to jam along together with a drum stick flying in the air and the odd guitar face off.
‘Island’ have developed a polished sound and have an understanding of what makes their music appealing, a drum beat that drives the tracks along with guitar strings striking out recognisable tones and lyric which are easy to sing along too.
‘Island’ are a rock band so I wasn’t surprised to see how at ease they found it to communicate with the audience between songs at the same time as having a quick swig of a beer before the next song started.
‘Island’ provided a stable of their hits, such as, ‘Day I die’ and ‘Ride’ but they saved a treat for the end, by playing one of their earliest songs ‘Girl’ which had their diehard fans singing along before they departed the stage!
I must also mention Eliza Shaddad who received a very positive reaction from a large crowd at the start of the gig, I have got to say Eliza is one of the best support acts I have seen for a while with lyrics which are personal to her and honestly sung which gave Eliza a great authenticity as a songwriter.
Eliza is a performer who feels every beat and chord she produces, standing on her tiptoes to belt out the notes of her songs and dominating the stage without a band to supporting her. She supplied the volume needed to get the audience’s attention and keep it for the whole of her set.
Written by Kess Anthony