EP name: Lucid Trail
Release date: 29 of December 2018
Genre: Alternative Rock
After a successful track of the week for ‘Off the Hook Music’ with their song, Lucid Trail, The Gallerys follow up with the release of their EP also tilted ‘Lucid Trail’ which is a fantastic four track record combining; 60s rock, Britpop and new wave influences to create a innovative sound.
The EP was recorded at Squarehead Studios in Sittingbourne, Kent, by Dave Young & James Simpson they have managed to grab hold of the band’s sound and produce a tight and captivating piece of work.
If you close your eyes and listen to track one, Lucid Trail, it is easy to be transformed back to the 90’s when Britpop bands were dictating the sound of British music and the experience the listener should have. This song leaves you drifting off to a sunny afternoon on a sandy beach, before quickly reminding you it’s not the 90’s and it’s soon to be 2019! As such The Gallerys have taken everything which was great about the Britpop scene and put it into a song which relates to today’s music scene.
Lucid Trail EP is available for streaming everywhere online including; Spotify, Amazon Music, I tunes, Google Play, Tidal, and Deezer. If you are the kind of person like I am, who like an old fashioned CD well you can also order a CD on: https://thegallerys.bigcartel.com/.
For ‘Off The Hook Music’ the stand out track on the EP is ‘Steady Beat’, a song which is different to the others because of its heavier guitar riffs which shout out for your attention. This high energy track had us standing in the pub when we first heard it, and the beat soon descended down to our feet.
We predict a successful 2019 for The Gallerys and this EP is a taster of why the band is on many people’s radar, including ours!
“More Human Than Human make a roaring start with debut album ” Off The Hook Music Reviews
Album Name: Re-Evolution
Release Date: 1st of February 2019
Genre: Progressive Rock
More Human Than Human make a roaring start with their debut album, Re-Evolution, and the loudest roar comes from their song Black Bear. At track 13, It is hidden at the back of the album but provides a surprise kick which is worth the wait.
Unlike a bear stumbling into your tent when camping, this Black Bear is refreshing and rewarding. It’s the statement track More Human Than Human wanted to provide for their listeners to show what they’re all about. The band formed in 2017 and have transformed their traditional rock sound by cutting out the guitars and replacing them with synth music from their gigging circuit and placed that sound firmly into the core of the album.
More Human Than Human are a progressive rock duo who are based in Cheltenham, where the band has built up a fanbase from their memorable, lively, and heavy beat driven gigs. Tomislav Vucetic and Anthony Collins have made this album personal by being heavily involved in all areas of the production. The band have stated that this is a 100% DIY project album which they can’t wait to present to the people who love prog-rock and metal. The album was recorded partly in a local studio in Cheltenham and in Anthony’s study then mixed and mastered by the band, this has allowed them to have complete control over the production of the material they put out to the world.
Re-Evolution is loaded with heavy bass and beats provided by the bass guitar of Tomislav and drums of Anthony which defines every track of this album. The band have focused on music over lyrics with six musical interlude tracks included within the record, which for the listener adds a different layer and experience by changing direction with short sharp bursts of interesting sounds.
Songs like Burn it down, Acron and Head in a jar are solid polished tracks which hold the album true and firm to their sound, but ‘Off The Hook Music Reviews’ think there is another level for this band to reach with future material which can be found by developing on these tracks.
This is a good listen for people who are into progressive rock, with a sound to lose yourself whilst head banging.
Written by Kess Anthony
Album name: Who do you trust?
Release date: 18th of January 2019
The 18th of January brings the return of a band who were a favorite for many adults in their teenage years, Papa Roach. Back in 2000 their breakthrough album ‘Infest’ spoke to minds and souls of millions of listeners with hard hitting sounds and lyrics like they had never heard before.
We have had a sample on their newest album ‘Who do you trust?’ having heard 4 out of the 12 new tracks, which has left us asking can we still trust Papa Roach? The short answer for us at Off the Hook is no.
The longer a band is around the more difficult it becomes to continue producing the goods. This is their 10th studio album which is an achievement in itself but the band’s sound has diminished over the years from meaningful hard rock to indifferent soft rock. As original fans it is difficult to still identify with them, but that’s not to say they can’t usher in a new fan base.
Long gone is the black cockroach infested imagery along with the days of Jacoby Shaddix singing and screaming his meaningful pain at your face, now we find Jacoby replacing this style with talking rap which leaves you yearning for your teenage memories rather than the new sound on offer.
We will reserve full judgement until we hear the rest of the album as there is still some redeeming qualities; the lyrics maybe lacking but the guitar and drums of the old Papa Roach is still lurking in the background, ready to be released.
When the 18th rolls around save ‘Who do you trust’ for as a last resort!
Written by Kess Anthony
This debut album from RRC could be considered brave but you get the feeling the band understand their sound and are not being brave at all, just proudly making their stance.
The relatively large sixpiece band from Liverpool is made up of; Fran Doran, Tom Williams, Michael McDermott, Simon Hepworth, Neil Lawson and Joe Corby, show they can produce a radio ready songs from the start. Track 1, Angeline, gives fast and lively kick to proceedings!
Lyrically the record shows that Red Rum Club have established their song writing craft. On first listen some of the tracks felt reminiscent of Manic Street Preachers, which is never a bad comparison. It takes great inspiration to make great songs, and they’re well on their way with this album. Throughout the album you pick up on refreshing layers, such as Joe’s trumpeting, which give an added texture to their songs and makes their alternative rock style unique compared to other competing bands on the scene, at the moment.
Track 8, Casanova, this one has a twinkle in it’s much like the song's namesake. Fran demonstrates a different style of singing compared to the other songs, which captures the energy and fun which the melody demands and deserves. it’s like Casanova is gleefully asking you to stay around to listen to the song again and you know you will.
Midway through the album Red Rum Club seem to slow down the tempo for ‘Nobody gets out alive’ and ‘Calexico’ which don’t leave the same impression as the tracks that have come before them. But follow with songs like ‘Casanova’ and ‘Remedy’ grabs back your attention and leaves an impression that the album you’re listening to will return to the faster catcher rhymes of the opening tracks. The statement of ‘Remedy’ is you’re going to be “drunk on a potion” but the listener is more likely to get drunk on Red Rum Club and the only remedy left to prescribe is to listen to the last track on the album Matador
Matador is a song with a story worth ending this album, you feel the pain and anguish of the bull who is obsessed with the powerful taunting Matador. This track has a steady drum beat providing the groundwork for this story to be told with a wonderful flow of sound.
However, our highlight of this album has to be ‘TV said so’ it is a great song which wouldn’t be hard to imagine getting a crowd excited live! Red Rum Club and their album Matador is a club which you will want to join, don’t be surprised if you listen to this album and find yourself signing up to be a fan of their music.
We give it 4 out of 5 Hooks,
Written By Kess Anthony
The Mute Group met and live in Nashville, Tennessee, the band are made up of John Westberry, Ryan LaFave, Zachary Gresham, and Amy Gill. They have produced a sound which is so unusual and obscure, thats is nothing short of brilliant. They describe their sound as ‘music that skews less vintage than ancient, medieval geologic. These are songs that might just as easily ward off the evil eye as entertain.’ This is a band which you can share with your friends and they will marvel in your well rounded musical appreciation while thanking you in the process.
‘Esureis et me celas’ is the perfect way to start the listener on their journey of discovery and a beautiful glimpse into The Mute Group’s world. After you have stepped through the door you are met with ‘Rodney O’ a song with an interesting vocal arrangement and an uplifting verse which could easily find its home on radio and as a future single.
‘From the island to the mountain’ Amy Gill produces a wonderful vocal performance backed up by her fellow band members this make the track transfixing and a calm piece of art in its own right. A song which you find yourself drifting along in a different world where we find “Gold and Silver and Bronze melded into one smoke and ashes rose like incense to the sun”.
Then two tracks later we come to the compelling piano playing of ‘AIEOU’ both haunting and theatrical in equal measures, there is a level change halfway through the song in which a guitar is allowed to find its moment in the story telling adding to the layers of this track.
An anticipation is steadily increasing as the knocking sounds echo around your ears at the start of ‘Brainplate in Eb’, a slower and softer track than the ones before blends well with the methodical tones which allows the song to take on a more sinister direction as the lyrics are provided on top of the music.
When ‘Abuse & Superstitions’ arrives your nearing the end of the album and you find yourself intrigued as this track is different to the other songs but still follows the similar traits as the songs that have come before, slightly faster, driven, and more focused on the lyrics and guitar.
The last song on the album is ‘Miriam’ and it feels like a natural end to the album, although I felt it lacked the theatrical impulse and mystic of the more accomplished tracks on the album, it’s too stripped back and raw but just at the end of the song the band picks the track up off its knees and the band delivers as they have all the way through this album but I just wanted it a bit sooner.
The Mute Group has done what many bands have failed to do, they have maintained their unique sound from the first track to the last and that is what makes you happy that you have been engulfed into the abstract world of The Mute Group and their album Sinister Hand
4.5 Hooks out of 5
Written By Kess Anthony
Jed Gillies is a singer songwriter from Leven, Scotland but now resides in Perth. Scotland. Jed has an impressive skill as a lyricist who is able to portray his perspective of the world to his listeners within every track. This is our review of his debut EP ‘Free Spirit’.
‘Free Spirit’ is an easy listening record, which has emotional and meaningful lyrics set alongside a steady soft guitar rhythm. It is a solid start and a good foundation for Jed. He developing his own sound which from this EP you can tell Jed is following the right path.
The title track ‘Free Spirit’ is a sudden but welcome hit of reality, Jed lays bare his soul about a friend who means a lot to him who has passed away and ‘Free Spirit’ is a fitting tribute. Jed paints a picture with his lyrics and provides beautiful colour with his words on a more solemn background. The guitar adds to the tone to the song and compliments the words well, you get a real appreciation of this when Jed moves between chords and the sound of the frets and the scraping noise vibrates around the track.
‘Bee’ the second track is again another strong lyrical performance with a good display of why a verse is so important when structuring a song, Jed uses his guitar in an intelligent way to provide an extra layer during this song.
‘On Repeat’ is based around a pleasant guitar concept and backed up by a compelling vocal performance, this track has a potentially massive radar and could be easily be a radio worthy single from the EP. This is a song of a past relationship and the verses lay out for everyone to see the progression of this relationship breaking up.
‘Okay’ is a track which builds from the start with soft piano, leading to a much faster tempo driven by Jed’s guitar, it has a very catchy verse which is a friendly sing along song. ‘Okay’ would be a prefect inclusion to any relaxed free going playlist.
Music can speak to everyone and bring people together and that is what the track ‘Fly’ gives you, with lyrics that connects beats and emotions. ‘Fly’ has a drumming beat which echoes throughout the song, the steady rhythm will trigger movement within your body. ‘Fly’ is a fitting full stop to the record as it’s the most all round polished track on the EP. The song is faster paced than the tracks before and allows you to get a sense of where Jed’s musical journey will go.
There is more to come from Jed and we are interested to listen to what he can produce next.
3 out of 5 hooks.
Written By Kess Anthony
Introducing Minus Alive; a band who launched their first EP, 'Maybe This All Just Ends', this 1st of March. The lyrical theme of the EP is very much about the struggles of mental health, and this theme is wrapped in an ambitious and anthemic sound that does such a worthy cause justice.
First single "From The Grey House", talks about the impact a relationship break up can have mentally. "Are you more content with heartbreaks than with love?" singer Ollie Butler laments. And when the tension of the verse gives way to a typically big chorus: "Did you want to throw it all away?". This sets the standard for a suite of songs with arena-sized choruses. Also expect clinical guitar playing, growling bass lines and massive sounding drums. Track four, "Ghost Of You" further explores the effects of separation, with Butler now haunted by his past love. This is accompanied by some really unorthodox but great guitar playing.
Elsewhere, second single "Not The Only One" focuses on the subject of anxiety and lyrically has some incredible imagery. "Faces" begins with ticking percussion and a more glacial sound. It is about losing your identity and a deadening of feelings. Musically, it breaks into life about two-thirds in with another huge ending.
The title track closes things on a softer note, with acoustic elements and backing vocals. The theme is a feeling of disconnection with Butler reaching out with the repeated "tell me what's going on" refrain. I'm really glad the lyrics from Minus Alive are at the forefront and the music also gives a ferocious soundtrack to some powerful and empowering messages. Listening to these tracks, the band have introduced themselves with an assured opening statement. They head on tour in March alongside The Survival Code and Luna Kiss.
3.5 out of 5 Hooks
Written By Matthew Nicholson
Los Angeles singer-songwriter Patrick Damphier was formerly of the acclaimed PaperRivals and is the son of Nashville musician Tom Damphier; a collaborator of Loretta Lynn. His debut 'Say I'm Pretty' showcases what an enviably talented singer-songwriter he is, bolstered by multi-layered production with superb attention to detail.
These ten songs are the cream of an original list of some 150. Though Damphier is responsible for most of what's on offer, others offerings - particularly vocalist - are vital. Contributions by Jessica Lea Mayfield, Nicole Atkins and Molly Parden add another dimension to the compositions.
On first listen, the most immediate songs are "Killers In The Closet" and closer "Money In The Meter". Both have off-kilter melodies and killer key changes. "Killers..." is brought home by a soaring backing vocal from Atkins. "Money..." is a great fun way to bow out and a strong encouragement to burst free.
But the greatness of these songs doesn't decline on repeated listens. Like the rest of the album, enjoyment grows. Opener "The Calender Lies" introduces a cacophony of multi-instrumentation that becomes a staple of the album's identity. In this case, it ranges from light guitar touches to splurges of brass.
"Under My Door" has a breezy, languid feel reminiscent of Kurt Vile. Both "Odd Man Out" and "Be My Jury" have a synthy, 80s feel and could have been lifted off the 'Drive' soundtrack. "Odd Man Out" has a quirky chorus - in which Parden's vocals mirror Damphier's - but is nevertheless a pop gem and brings to mind the French act Phoenix.
"Pretend It" and "Throw the Rest Away (Hold On)" have inviting riffs that could have come from the guitar of Johnny Marr. Their summery sound are another reason why, if you see Damphier on a festival bill, you should turn up.
"Bridges" has the big, spacious, stadium-filling sound like War On Drugs and crashes along like being caught in a rapid river, whilst "All Give No Take" is a piano ballad worthy of Paul McCartney.
In Damphier's words, "My approach is that the song has to be able to be played - and sustain itself - with one chordal instrument, lyric and melody". And it's fair to say, a diverse and detailed level of production is nothing without a strong set of songs; Damphier's song-writing does not fall short. These are great songs, treated superbly.
Damphier is now due to tour with a band of assorted talents including former members of Lambchop and Jenny Lewis and The Features.
4 out of 5 Hooks
Written by Matt Nicholson
The 29th of March loomed large in the diary for many in Britain as our original date to depart the EU but for The Experimental it is also the date of their
album ‘What do we want’, a fitting title for the day. The album if somewhat reflective of how the people of Britain have felt over the last two years, it has a defiant thunderous bass tones and aggressive lyrics.
Like the band’s name, The Experimental explores a lot of different sounds within this album and binds them into their soaring vocals, ‘What do we want’ was recorded at Cube Studio in Cornwall and Momentum Studio in Devon and this record is as rugged as the counties themselves.
‘What do we want’; it’s always brave to start your record with the title track but The Experimental have put on their warpaint and after a haunting choir introduction to the track you are automatically challenged by Darren Curnow with “what do we want and when do we want it”, this is then back up by the infantry with a spikey guitar riff and heavy beats of Chris Firrell drums and Joe Billingham’s Bass.
With interesting lyrics “there’s something inside of me, a Jekyll and Hyde in me” driven by heavy drum and bass beats which sets up the exciting story telling of the lyrics ‘The Energy’ is exactly what is advertised, no wonder this track was screaming out to be a single on its own right in October last year, at 3 minutes 20 seconds long which is short for The Experimental it could be a decisive statement of this album. The best way to describe ‘The Energy’ is like doing a bungee jump when you are scared of heights, why are you doing this? because it’s exciting.
With a massive change in direction the following track ‘Disco Biscuit’ appears out of nowhere and it is a real risk as on first listen to the album it is an oddity within the whole band’s sound but give it sometime and it’s a grower, as you start to enjoy the disco beats and softer vocal tones within the track.
‘Bounce’ introduces itself with an American indie band style riff but all of a sudden the bass and drums burst into life and dominates the musical space the guitar was occupying and by the time the word “Bounce” has been announced you’re already jumping to the track.
Then The Experimental gift the track ‘Million Voices’ which is a fantastic song, with softer vocal tones and fast paced instrumental performance from the three band member it is not hard to see why over 10,000 listeners have already chosen to hear this track on YouTube. This track is an anthem and don’t be surprised if your voice willingly joins the Millions of voices as the verse is catchy and easy to join in with the band, the snappy drum beat is what holds the elements of this song together. Million voices would have been the fitting end to this album as it’s an all over polished sound overshadows the last track of the album ‘Vultures’, but that not because ‘Vultures’ isn’t a good listen it’s just ‘Million voices’ is just that good.
So if you’re a fan of progressive rock and enjoy catchy verses which will have you singing along in an instant, this is the album for you.
3 out of 5 hooks
Written by Kess Anthony
Formed in 2012, Xilla are a Birmingham based band made up of Chris Flanagan (Guitar), Greg Pullin (Guitar), Richard Pullin (Bass), and Pete Smyth (Drums). In 2018 the final piece of Xilla puzzle was found when Leigh Oates entered the band as lead vocals. With everyone in place the band started developing their own sound and released their debut album on the 31st of March of this year. Xilla are an interesting and expressive artist, they indulge in multi-layered tracks which explore different sounds and corners of their own musical world.
Distant Minds has been recorded and engineered by the band themselves which makes this record a personal expression of Xilla’s personality, but for the mixing process the band have enlisted the experience of John Mitchell known from his time with Enter Shakari.
Before we start to talk about the music we should mention the record’s exceptional cover art by Matthew K Grundy who has developed an eye catching futuristic scene which would easily catch your eye when trawling through the record store.
Distant Minds starts with a short taster of what is to come with ‘Crux’ which is an atmospheric floating intro which sets up for the longer tracks later in the album. The next track ‘Heroes’ has a great spacey guitar intro followed up with a menacing bass line from Richard which is a great match for Leigh’s softer vocal tones which then convey the lyrics “Where are your Heroes, open your eyes”.
An elegant guitar performance starts the track ‘Let me breathe’ and this then allows Leigh to show off his full vocal range, for us at Off the Hook Music this is by far the best track on the album with catchy verses and meaningful choruses, we could happily listen to this record all day on repeat.
Mid way through the album ‘You Crawl’ appears with a thumping bass notes which alludes to a moodier side of the band, Leigh provides nice airy tones which allows the lyrics to have a haunting side that gets darker during the verses. This is a power ballad type track with an enjoyable spiky middle 8th guitar solo.
Then comes the mammoth track ‘Left to burn’ lasting 12 minutes 38 seconds, you may worry that Xilla would lose control of their sound, but this isn’t the case as you enter a dream like state with gentle guitar notes ringing over drum patterns and smooth rhythm of the overlaying lyrics. At 4 minute 30 seconds, spoken lyrics takes center stage and it’s oddly interesting and a great addition to the sound which had been presented before, there is also an angrier guitar riff after this section which leaves nothing left to explore in this track.
Near end of this album you stumble across a track called ‘Everything at once’ and by including this track Xilla have squeezed every type of rock track in their debut as in this one an acoustic, almost pop like sounds emerges.
‘Reborn’ ends the show and by this point of the record you feel that Xilla has settled down, explored all the areas of their musical world, and found the sound they had been looking for all along.
3.5 Hooks out of 5
Written by Kess Anthon
As Flames Rise has delivered a four track EP titled ‘New Beginnings’ and this is our reflection of where the Dorchester based band currently find themselves; with new members entering the fold and adding their talents their heavy metal sound is really starting to heat up!
The first track on offer from As Flames Rise is a song with the same name as the EP ‘New Beginnings’ with hearty guitar riffs from Jay Dalby and Simon Dean to start the proceedings, the tempo then steps up when blistering drum beats from Rossco Broughton-South takes centre stage. It is clear why this record was chosen for a single last month with haunting soaring vocals screaming out “I feel the fear in you”.
‘Escape’ has a softer and slower rhythm than the opener which allows the band to show the public their instrumental talent, when the track ramps up after the introduction you witness the interesting blends of vocals with Matty Bowdidge screams combined with Jack England’s gothic sounds almost battling each other for dominance.
The third track ‘Rotten Branches’ has a deep meaning with lyrics engaging in mental health and dealing with those dark moments, and defeating those demons. With that being said it is then understandable for this metal band to bring down the pace and energy levels with a calmed and relaxed feel from the guitars. Soon it becomes clear that this track will turn the corner with a rude awakening when the pace is pushed up and heavier tones from Laurie Thomas’ bass guitar and drums from Rossco, this song has good level changes and runs smoothly to allow the lyrics sink in over the metal tunes.
Vocals from Matty and Jack are the focal point for the last track of the EP and like the title name of the song ‘War’ it is confrontational, loud, and dense in heavy metal vibes which is a good way to end the collection of tracks.
If you’re looking for metal with energy, heavy momentum, and strong screaming vocals then this is the EP for you and when you get to ‘Escape’ you may be surprised that you’re enjoying a softer and slower paced song too.
3 out of 5 Hooks.
Written by Kess Anthony
You probably don't need me to tell you that Jade Bird is going to be a massive star. She is already gathering a strong following and accruing hours of radio play. Her debut LP follows her 2017 EP 'Something American'. It showcases the diversity of her talents, from touching piano-led ballads to hooky acoustic pop numbers.
A lot of the big-hitters are stacked at the front of the album. The opening run of four songs gets the momentum going and let’s Bird display her strengths; namely a sumptuous voice and an autobiographical style of story-telling straight from the heart. Bird's voice is at centre stage throughout the album and at times almost has a country tone, present mostly in ‘Ruins’ and ‘Good At It’.
Often her songs have a jaunty verse that playfully skips along alongside a mighty chorus. On ‘Get No Joy’ the verse is a pile-up of words but the chorus is an anguished cry of "I get no joy-". Further into the album ‘My Motto’, ‘Does Anybody Know’ and ‘17’ introduce Bird's talent for stripped back balladry.
Lyrically, most songs dissect a relationship. On ‘Uh Huh’ and ‘Good At It’ Bird sings about her ex's new relationship. Both are a lot of fun. ‘Uh Huh’ ruminates on the suspected infidelities of his new partner when after a list of indiscretions she asks you if you love her and you nod and just say "uh huh"'. She continues to show her fun side on ‘Going Gone’, mocking a boyfriend who just wants to go to the pub with the phrase "I'm your girlfriend, not your mate".
The last third of the album continues to mix styles with terrific results before Bird closes things off with one of those beautiful ballads ‘If I Die’. Fittingly, when she sings "put me in words, not hallelujahs, they come from the heart and they'll ring true" she does well to encapsulate an ethos of lyrical honesty that defines this album.
4 out of 5 Hooks
Written by Matt Nicholson
When the EP Fluffy Unicorn United landed on our desk at Off the Hook Music, we got an excitable shot of 90’s grunge sound which we remember so well. The problem for most bands is to be able to make this genre current and not a tribute to legendary bands of the past, so let’s meet the next contender and the EP which could light the fire which still lives on in grunge.
Neverlanded are a three piece alternative rock grunge band from North London, Pete Bloom (Vocals/guitar), Niki Jester (bass/vocals) and Jaca Freer (Drums/Vocals) have mutiable layer behind this EP. Neverlanded want to drive home dynamic grunge music with a charitable channel as they campaign for the recognition of gender dysphoria in young people and improvements in professional services and Neverlanded are a proud supporters of the Mermaids UK.
Brainsane is a track which does what it says on the tin, it’s full of heavy grungy guitar riffs backed up with constant drum beats which holds the band together and vocals which grabs you from the start.
The track has layers of heavy chords and notes from Pete and Niki which makes the song interesting and certain to gift you moments of head banging and mosh pit starting when performed live, your reminded of Silverchair when Pete sings out lyrics which have a rawness and emotive ride to them and no grange record is worth its salt without a memorable lyric like Brainsane screamed out at you.
Short, snappy and fast tempo MesS.OS has a punk feel running right through the song, it’s like Neverlanded are trying to fit the same amount of chords into 1 minute 56 which you normally do in a 3 minute track which means this is a fast ride and punchy surprising record after Brainsane.
When This Friend of Mine appears you realise we have the crown jewel in this EP, the track is constructed well to give you a natural progression from the raw stripped back opening where the drums of Jaca takes centre stage and steadily builds to the louder and more assertive ending.
This Friend of Mine is a lyrical story which floats nicely with the instrumental background music and you find yourself wanting to find out more about the bands friend and why it’s so important for them to tell you about this individual who they have become obsessed with.
We get to the last track on the EP and you realise quickly that the band have started to fully understand their sound and Scream4IceCream is a fitting way to drop the curtain on this collection of songs.
Neverlanded seem to blend all the good elements of the previous tracks into one song, making this track worthy of answering our question at the very start of this review. Neverlanded have made an EP which has an interesting alternative rock grunge sound which leads to no doubt that they are no tribute to any bands of our past musical memory but a band with a current vibe of their very own.
3.5 out of 5 Hooks
Written Kess Anthony
Emerging proudly from the city of Newcastle, we have a four piece alternative rock band which promises to deliver strong, rich, and sweet tasting music. Stolen Dead Music formed in 2017 and they have been busy developing their indie rock sound around the music which originally inspired them to pick up their instruments and then evolve to make their own mark on the music arena. Now Jimi, Aidan, Lewis and Issak, are ready to prove their worth with the 3 track EP ‘Penny Drop’.
The first track on the EP comes from the record title, ‘Penny Drop’ with a healthy helping of indie guitar riffs at the start Stolen Dead Music build excitement as you wait for the lyrics, then out of nowhere you get hit with the word “If you can hear the penny drop, when are you going to know when to stop”. The song is fast full of energy and it follows nicely with kicks of adrenaline filled beats to make sure the rest of the track is remunerable to the attention grabbing opening. ‘Penny Drop’ is a track that builds as it progresses and you will see clearly at the end of the song that we have a solid indie alternative foundations at our feet.
For the next track ‘Shunt’ there is an interesting starting drum beat, at first listen it sounds a bit disorderly but all is as it appears as the drum beat is to draw you into listen intently to the track. As you settle into reflect on the drum beat you then get kicked with heavier guitar riffs and with the record races to full throttle. Shunt has soaring vocals which blends into the grunge music background and you feel an intensity pulsing throughout the track.
Stolen Dead Music ends this EP with a brave stance by using their track ‘Gallows Humour’ which is a full instrumental musical display. Without lyrics to add layers to the track it becomes instantly less memorable than the other two, however we feel the braveness has paid off for Stolen Dead Music as the track shows off the band understanding of their sound and impressively allows their instruments to do the talking.
3 out of 5 Hooks
Written by Kess Anthony
When we put ‘Elilifa Kuldinn EP’ we discovered the rumble of a new metal band’s volcano of talent erupting with pure fire and molten rock pummelling the ground around us. Aubzagl have unleashed their musical vision with their debut EP. The four piece heavy metal band from Leeds, composed of at Aaron (Drums), Jamie (Guitar), Paul (Bass), and Andy (Vocals) bearly take a moment for a breath in this Record. Aubzagl are full of energy and fast paced instrumental playing that creates a manic display of Metal magic.
‘The Hermit’ is the first proper track of the EP, it is robust, strong, and electric. The energy and pace of the drumming sounds like heavy rain pounding the earth, when Andy’s roaring vocals descend on the track you hear a voice full of torture, screaming for solitude within the black cloud of society the lyrics belong too.
Then when the track ‘The oath of blood’ comes along you find yourself convinced by Aubzagl’s war cry to take a knee and swear an oath to join their rampaging heavy metal army, as the guitar and drum beats take over your mind and when the lyrics take centre stage you give up your soul to the unstoppable force of the band’s sound.
A hearty bellow deep at the pit of Aubzagl’s hellish vision, during the lyrics of ‘Voices of the Aether’ your asked the question “Is this how life is? Is this my fate?” You are prepared to accept your fateful outcome.
‘Ogilt’ is the second musical interlude of the EP and like ‘Null’ we tend to feel these interludes have a lack of propose, maybe the EP would be more dynamic without them.
‘The Adversary’ is a slower track for the EP which is well constructed with good tempo changes throughout, which allowed the lyrics to be presented in a more meaningful manner. This for us at Off The Hook Music is the best track of the EP and a really impressive layered song.
‘The end of all things’ is the last track for Aubzagl’s first offerings to the world and after listening to this debut EP there’s no doubt that this will not be the end of anything and Aubzagl will be back bigger and stronger next time as this is a great first attempt to create their own metal sound.
3 out of 5 Hooks
Written by Kess Anthony
We were first absorbed by SANS hauntingly electrified vibes when they played Thekla’s anniversary gig back in May and have been patiently waiting for new material ever since. That day has now come with the aptly named E.P ‘Misophonic Songs’. To our delight many of the songs that stuck with us from that night have managed to find their way on to this 8 track EP.
SANS are a three piece band from Bristol, who spit out a sadistic sound so loud that you could be fooled into thinking they had more band members hidden backstage but it is Thom, Paddy, and Harry alone that produce the self assured sounds that lets you know they are more than comfortable in their musical ability.
‘Meaningless’ is the opening track of the E.P, and from the first note you feel this tense and frantic opening with Thom’s vocals which are both compelling and unstable, matching the dramatic guitar and drum playing of Paddy and Harry, it is a quick thriller of a track and a strong statement of intent that awakens you to the sound that SANS processes.SANS have a twisted way of how they portray a track and this is best displayed at the end of the next track ‘Doris’ with whispering in your ears in an erratic manner, but before that moment the record has acres of layers of drudging heavy chords.
‘Quack’ is a deranged story of a record which is full of sounds that stand your hairs to attention, Thom delivers a vocal performance that almost makes you worry for his well-being, before you feel drawn further into the enraged heavy riffs of the song. After that whirlwind of a track you are drawn near to the eye of the storm, which SANS have been forecasting since the start of this EP, ‘Wipe Dread’ has a gothic sentiment with frantic layers of instrumental sound and by the end of the track you are thrown out of the tornado with no care for your health.
The track ‘It’s your party Priscilla’ is a steady builder of a song but when it reaches its peak the sound resembles a bee hive, a cacophony of roaring music that blends knowingly well with the lyrics from Thom, however we do feel this track could have been edited down in length which may of made the song more dynamic overall.
When you reach ‘Ode to Marilyn’ you feel the band have completely found their sound and relish the roaring manic patterns they produce, it pours out of SANS explaining why their sound is unique and even more why they need to carry on in this direction!
3.5 out of 5 Hooks
Written by Kess Anthony
SUE are one of those bands that as I sat on my sofa listening to with headphones on, I really wished I was watching live. They produce an intentionally messy medley of noisy guitars, fast pounding drums, and vocals often caught perfectly between singing and screaming. The music is fast frantic and full of energy that I cannot help but imagine how it translates into one hell of a live show.
Most of the tracks on their debut effort ‘It will never end’ are short, punchy, and straight to the point but still leaving some room to let the riffs play out. When it all comes together on tracks like ‘Strange and Deranged’ and ‘I’m a Fucking Alien’, you are left with some irresistible catchy punk rock. They can mix it up as well, slowing things down on ‘Put me to Sleep’ which throws in a nice guitar solo. ‘Thirst’ also breaks things down before building the pace back up, adding some nice variety to proceedings.
Apparently the album has a concept but it really is not needed and is lost below what the band do best: non-stop, raw guitar rock. The lyrics are well penned, dark, and brooding but unless listening very intently you will mainly be catching the occasional line about spitting blood, carving into chests, or minds crumbling which suits the off-kilter feel of the music and unhinged vocals, adding to the hysterical angry vibe of the album.
The band really showcases its talents on album closer ‘I am Nothing’, a desperate ballad of self-loathing and loss of faith in the world. The distressed vocals are matched perfectly by the wailing guitars as the band shows that they can take a step beyond the relentless onslaught of rock.
The hidden track at the end is a rare indulgent misstep that the album could have done without, but otherwise this is a fantastic first effort from SUE. A rough and raw sound skilfully composed by a group of musicians whose talents go far beyond the DIY texture, they let these talents bleed through often enough to give the music some depth and weight but not so often as to compromise their core vision of pelting out fast, furious rock!
4 out of 5 Hooks
Written by Jimmy Rock
Based in the West Midlands, Dinky are a four piece alternative indie band, who have already had plenty of air time with tracks plastered all over platforms like BBC Introduction, Kerrang, and Free Radio. They have also spent years on the live circuit around the MidLands, London, and Ireland which has allowed them to develop their sound and polish their records for this EP ‘Open Letters’.
The album starts with an intriguing story spelling out of the lyrics of The Romance of Murder, with smooth indie tones radiating out of the instruments that is polished off nicely by the drum beats of Aaron Wilkes. This is a steady start to the album that shows promise for the following songs.
Dinky shows their ability to change up and show diversity with the tracks ‘Magnetic Field’ and ‘More than I was before’, the sounds in these tracks show how important it is for bands to go on the road and learn your trade properly. The piano layers in ‘Magnetic Field’ are a delight and shows there are multiple tools in their locker.
Dinky goes back to their bread and butter with the record ‘Tonight’ meaty guitar riffs by Gavin Medza and Adam Hollyhead followed up by the dark notes from the bass of Wayne Moseley. You hear flairs of country rock, with the catchy lyrics this is a very solid track on the album.
‘Oxygen’ was momentous, full of top notch layers of sound which vibrate through your body. We’re glad here at Off the Hook Music that the band decided to elongate this track compared to every other song on the album, at over 5 minutes you do not want this stormer to ever stop.
Dinky showed where their talents lie and they should concentrate on developing this sound further. Like in the track ‘Overrated’, the darker heavier sounds thump out giving a heartbeat to the album. Even though the slower tracks show a different level and the full skillset Dinky are able to employ, there is no denying that the next record should be braver, so we can rock out to the heavier tones of the indie rock we all love!
Written by Kess Anthony
Cheltenham based band, Down Not out, have thrown their debut EP, ‘Worse for wear’ out into the world. This big jump can be a nervous time for a band but with the support of their record label, Scream Lite records, they have not hesitated in showing off what they have got! The band draws influence from a variety of different genres but the most prevalent in this EP could be described as pop punk, which makes it’s very current in the music market. They spent time at Sound Shack studios in their hometown of Cheltenham with Gregory Wilson-Copp who produced, mixed, and mastered the ‘Worse for wear’ record.
The first song on the EP is ‘Arm Wrestling’, straight out of the gate you are hit with spiky guitar vibes and you prep yourself for a punky tune. Then the vocals in this track hint of a American style which adds a layer of interest, before you are grabbed by a big finish. This is a great start to an opening EP for any band.
Dirty heavy bass notes boom during ‘Wild’, provide a truly earthy foundation which blends so fittingly with the lyrics and vocals. By the end of the track it is clear this is Down not out’s post punk statement.
It is always important for the title track of a record to stand out amongst the rest, after a bit of warming up those wheels start speeding faster and simply by the end of the record your convinced this is the best track on the EP.
‘Ghosting’ is slowed down by the band and shows that Down not out have diversity within their talents and ability to switch between genres, ‘Ghosting’ is simply a good old fashion emo indie song which would fit on any Spotify playlists full of emo rock.
The last track on the EP ‘Unsure times’ leaves an impression, it is loud and full of energy, this record is the strongest and most layered track and you get the feeling that Down not out have been on a journey and they have found their own sound within this last track.
Written By Kess Anthony
In front of a packed crowd at The Louisiana, Bristol in 2019 Ruzz Guitar Blues Revue took the massively brave decision to record a live album. After three previous successful albums which have gained fans in the UK and US, the band felt it was perfect timing to dip their toes into new waters.
This Soul, Blues, Rock and Roll band then sent off their electric live sound to be mixed, mastered and produced by Mat Sampson of Bink Bonk Studio. Ruzz and the band live and breathe for the live atmosphere their music produces, and it’s no wonder that they wanted to entice new listeners to a in with this Rock and Roll, Jazz sound.
You get a hint of excitement within the soul music on the album and at the same time an acknowledgement to the old flair that inspired the band from the musicians of the past like the great late hero BB King. Like opening a treasure trove the rich gold sounds of the flashy guitar playing with the soulful, rock and roll bounds out from the opening song Hold It, the keys throughout the album is a highlight that rings together a sound of music blended in a special way.
‘Moving On’ Ruzz Guitar Blues Revue first original track washes over you with a current of being massively relevant to a modern sound and produced into a more purposeful package than the tracks which have been before it on the album. As a listener it warms your heart when you can feel when a band is enjoying their musical identity and showing off what they can do, with this band you get a sense of togetherness which produces high quality layers of instrumental expression.
The best track on the album for Off the Hook Music is ‘Sleepwalk’, slowed down beats and a nudge of thoughtfulness of being in a wonderful dream you don’t want to wake up from, it is positioned in a timely surprise midway through the album. It’s just a shame that there wasn’t more of the crowd showing their appreciation between songs at the gig, because this would have made the experience of listening to the album more authentic as an expression of live atmospheric moment in time..
Written By Kess Anthony